Is There Hope for Humanity? Kosmoautikon Says Yes & No.

You’re invited to open your mind, examine your beliefs, and allow the ideas in this article to pierce your surface. I am not asking you to agree, your validation is unnecessary. I only ask you to consider…and if you think I am wrong, then do better.

Summary of Philosophic Theses in Kosmoautikon by Mark Chandos

• Western scientific, materialist, liberal ideology (modernism)  arrests human development. When a totalitarian state takes over all functions of a mature human  mind—the ability to face and unravel irrational jeopardy and peril—that citizenry has every incentive to remain in a state of adolescence. Modern  citizens are arrested in a permanent state of a jaded puberty. Great poetry cannot be written by adolescents. 

• Consciousness would not exist without the rogue male. We discover there is no high civilization without the rogue male. The rogue male is at war. Western civilization is a history of rogue males. In  order to maintain totalitarian control of society, modernist states must  detect early (and medicate or incarcerate) any reappearance of the rogue  male. The rogue male is not an unexamined category of literature. Rogue  males are the souls that advanced our innovation of the human genome. Every epic text—every bible—contains a rogue male—as protagonist and  hero. The rogue male is thus central to the conversation of Western art. It  is central to a new theory of poetry. 

• The human mind must conduct a war of good and evil. Consciousness is unfinished and at war. Thus humans, possessing the  protocol of consciousness, must have access to a war of good and evil. If  under socialism the Western human cannot fully develop, cannot reach  maturity through free access to a war of good and evil, then he will be  supplanted by men who are allowed to reach maturity. We conduct wars of  good and evil because we still do not understand the limits and structures of consciousness. We know absolutely nothing about consciousness. No man can explain his life. So we must make attacks into consciousness. 

• Modernism is a linguistic attempt to obscure the origins of the  human condition. It is a means of absolute linguistic control of the human  genome. Modernism replicates a false, destructive representation of  human information. The strong poet, therefore, seeks a new linguistics—a  new terraforming of universe—that addresses the crisis of accessing the  wrong human reality. This imaginative step, therefore, is essentially a  requirement for a new theory of poetry. 

• Any new theory of poetry requires a new human righteousness. A human cannot be righteous unless he can tell the truth of his soul.  Free access to righteous speech is the essential discovery of poetry. Poetry  mirrors the truth of the human genome (soul). Where within the human entity do we discover the truth of our souls? The truth of the human  soul is only discovered after a war of good and evil. All righteous speech originates from an urge to conduct a war of good and evil. Modernism, that proscribes all wars, thus blocks a new speech of righteousness. Only the rogue male can break out of the modernist strangle-hold. 

• All great codices have existed from all time on the human  genome. An epic poem is a codex, that being inevitable, must have, therefore,  existed from the beginning of the human genome. Strong poetry—as truth,  justice, faith, hope, honor, or courage—was placed there in our genome  to be discovered from the beginning. In Story Theory, likewise, the great  human epic poems are already located on the human genome—from the  beginning of time. Thus the poet remembers—he does not write. 

• The purpose of the human condition is to achieve a maturity of  expression. The highest expression of any art is only achieved when the master  reaches his mature state of expression. There is nothing more mature in  human expression than the end state of the rogue male. He has set his  teeth against the ice of some obscure wind of Saturn. He is disfigured and  glorified by his emulation. There is a story to be told. Instantaneously, our minds recognize the protocol. It is our codex. Modernism does not foster  great art because it blocks human maturity. 

• The greatest revelations of the last century are discoveries of the  epic trope. The greatest discoveries of the late 20th century intimately concern epic  literature. 1) The Exodus of the Hebrews from Egypt—the entire genesis  of the Hebrew race—was a linguistic construction of Semitic poets— from within Canaan. 2) The cuneiform tablets of Mesopotamia were  finally translated—clearly identifying the original creation narratives of  the human genome. 3) The discovery that the early Dogan and Egyptian  people had exact knowledge of quantum mechanics, atomic theory, and  orbits of previously unknown star systems. Each is proof of the power and  centrality of the epic trop in the human mind. 

• Story Theory explains the phenomenon of the epic trope. Civilizations are built from a collection of linguistic phrases—not science  and archeology. Mohammed stitched together a book of Arabic poetry  (with not a few stolen stories and characters from the Hebrews). Since  that moment, the Arabs were instantaneously righteous—and made  conquest in the 7th century AD with this new power—of righteousness.  Who would think to separate the Arabic tongue from the text of Arabic  righteousness (Koran)? Who would think to separate the Hebrew tongue  from the Talmud/Torah? Who would think to separate the King James Bible from the protestant movement? No force of nature could ever separate  the Latin vulgate Bible from the Latin Church. It is no coincidence  that the moment the Latin vulgate service was replaced with vernacular  translation (in our own time)—was also the same moment we witness the  end of Latin Christianly in Europe. The proof? As soon as the vernacular  Bible took effect in church services in Europe (1960’s), Roman Catholic  churches there became museums. 

• Modernism avoids an honest discussion of the good and  beautiful. Enslaved to market forces, modern media and publishing fear to outrage  any demographic that might not fit into any strong statement of the  good and beautiful. So the category of conversation is forbidden speech.  Modernism will only allow a discussion of the good and the beautiful prefixed by caveats. There must be no assertion of any possible quality that  touches ethnic, racial, gender or linguistic exceptionalism. And that means  every quality of difference. Thus most human distinctions are politically  pre-selected as exactly equivalent—or the speech is proscribed. This, of  course, is totalitarianism. There is not an honest and free discussion of the  good and beautiful. Until freedom is restored to public discourse, there  can be no strong theory of poetry. 

• Modernism is exceptional for its poverty of imagination. Modernism is a totalitarian ideology forcing all humans to lose  their distinctive cultural differences. The end state if this ideology is  mediocrity—that is, to have all humans normalized into a sameness of  origin, ethnic, and ideology—a mass society of pacified consumers—each  with the sameness of sociology, aspirations, and prospects. In modernist  scientific culture the universe is dead. There are no agents of higher  constructs—no angels, no spirits, no leviathans, no masters—except the  state. The earth is populated with men of drab mental poverty—men who  can’t explain their life or the visible universe with imagination—since they  are constrained by strict material science. 

• The only way to overcome the false existential dualism of  “world” is to operate as if we are walking in the mind of god. Humans imagine they are a subject and all the rest of the visible universe  are the objects they perceive. In fact, there is no subject and no object— there is only unity in the mind of god. This perspective solves many  problems. If we are, in effect, thought projections walking in the mind  of god—then we can do no wrong, and all perceived human crisis already  has a solution embedded. This is the only solution to unsolvable human  interrogations of dualism. This formulation is effective in dismissing the  materialism of modernism—as well as placing human consciousness in its  proper astral position. We project the universe of “reality” from our minds.  This is both the correct interrogative and the correct solution to all the  cases that are cases of world. 

• Will there be a time when the human mind has total and  absolute knowledge of all phenomena? Never. Such a state of complete  knowledge is never to be achieved. This insight tells us everything we need to know. Since there will never  be a state of compete knowledge, it means we must have a cultic response to our limitations of knowledge. It is thus madness to pursue (through  science) the myth that we will, someday, somehow, have a scientific  breakthrough that will solve all mysteries of life. We must have a sacred  feedback now—not sometime in the ever-extending future. We have the  right to emotional feedback of life—now—not in a future that never will  materialize. Thus we must build a cultic response—we must create the  form, the cycle, the ritual, the supreme idiomatic text of our expectation  of life—even before we know exactly how the house of consciousness is  actually pieced together. It means there is a need for religion and a central  epic text. 

• Replication is modernism’s sole intellectual advance on human  civilization. The philosophical underpinning, the essential product of modernism—is  not “advanced” technology, engineering, design, or energy—it is the  replication of each. The genius of modernism is its repeatability. There  can be no engineering, aviation, or manufacture without the discovery  of the quality of replication. The civilization of modernism has only one  philosophical discovery– replication. 

• Beauty is not the search for truth. Beauty is a verification of  perspective. The perfected idioms of 12th century gothic cathedrals in France were not  made because there was doubt in the hearts of men. Medieval men did  not make beautiful cathedrals because they doubted the truth. Medieval  men, as pagan men before them, built beautiful cathedrals because they  already found the truth—and no longer doubted. This is what civilizations  perform. A civilization isolates an exclusive perspective of human— and perfects it to the maturity of its expression. This is what we seek in  a new theory of poetry—a cathedral. Modernism still waits for more  information—and it is still unsure. 

• Modernism ensures mediocrity. As liberal socialism advances, it will attempt to make all distinctions of  beauty disappear between men. It will insist that all men and women  are distinctionless, that they are precisely the exact entity—and extreme  fanatics will attempt to enshrine this ideology into social law. Liberalism  guarantees the end of freedom. In the future all humans will be handicapped—and they will need to be placed under the permanent care  and support of the government. Government only guarantees mediocrity. 

• What will destroy the citizen’s belief in modernism? When all citizens are under surveillance 24/7, the modern faith will end.  When all human phone and text messages are recorded and stored, it is  certain that a new (future) political regime (or demographic) will wish to  check your speech against a template of new political correctness. In the  future, every citizen will have handicapped parking spaces. Every child  will be evaluated and issued his disease at an early age. When modernism  produces and supports only the handicapped, then modernism will  lose its glitter. And to pay for the future care of every voting citizen, the  government will tax citizens and goods until there is no free market. This  is when the citizen will turn away from modernism. This time has arrived. 

• Modern information is not reliable. As a hermetically sealed, self-referent linguistic code, modernism  manufactures its own research, evidences, and discoveries of facts.  Modernism is an epidemic of false evidence. Modern industrial markets  control what information is generated and then privileges the same  manufactured data that seems to evidence the superiority of modernism.  The answer to any question that is posed by modernism is only an  application of more modernism. Therefore any question and answer  (as information) that modernism proposes for human life is insidious.  Modernism is a self-licking ice cream cone. 

• The aim of any linguistic code is to eradicate all other  linguistic patterns. Consciousness does not exist without feedback (communication). Thus  we say that human consciousness is linguistic construct. How does  consciousness operate? Consciousness selects—ruthlessly. Literature  (as an expression of consciousness) seeks hegemony. Any hegemonic  consciousness (as any linguistic ideology) must eradicate all other  interpretations of life. Murder appears not to be a moral consideration in  the protocol of consciousness. This can only mean that the bodies that are  murdered are not the final form of reality. Real things cannot be killed or  eradicated. Therefore all that does exist is a pattern of communication that  makes a privileged selection of bias ruthlessly.

• All speech is a form of prophecy. Modernism denies the legitimacy of prophecy in the modern world.  Yet speech, itself, is prophecy. Speech, as text, is a function of making  future life forms. Any speech or text that a modern scientist composes is  essentially a prophecy of future life forms. Thus prophecy as a function  of communication is universally still in effect. Every thesis paper on  astronomy, biology, physics, or mathematics, for example, is an attempt  at prophecy. Every word that ever proceeded out of a human mouth is an  attempt at prophecy. If all speech is a form of prophecy, then poetry (as  high charismatic speech) must preeminently be the medium of prophecy. 

• The epic trope contains the fossil record of the origin of the  astral mind. There is no archeology of high human imagination. The origin of the  human imagination has no foundation in terrestrial constructs. All our  dreams, myths, epics, and prophecies operate from the astral plane of  relative cosmology. The five-millennia-long epic trope confirms the origin  of the human mind in a non-terrestrial coordinate. Hercules, Jason, Zeus,  Moses, Apollo, Sampson, Gilgamesh exist on no terrestrial coordinate. The  epic myths do not concern humans—they concern relative cosmology  with an astral location of life from a particular section of the night sky— designated in the star clusters of Orion, Cygnus, and the Sirius system. The  human epic trope (our linguistic DNA) contains the fossil record of the  origin of the astral mind. All text, all DNA, is a fossil map. Thus we are  able to say with accuracy, In my atom is an ark. 

• The human mind terraforms any astral location in the  universe. There is no earth. There is only a human mind that designates— linguistically—a grid coordinate of earth. If tomorrow there was no earth,  then the mind of man would simply terraform another astral coordinate  as a platform to rehearse and enact the bias contained in mental  consciousness. We thus make a home for our mind in any coordinate  within consciousness. Globular, terrestrial, inhabited earths are entirely  constructs of the astral mind. Until this is fully understood, humans will  live as voluntary mental prisoners. Kosmoautikon shows a way out of this.  

“We had to remove your planet—and then your bones.”